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Stuck in the endless Netflix scroll? Searching for something to actually survey, not partially watch while you're on your phone? Open that Netflix watch query now and type "Oxygen."
Otherwise known as Oxygène, this 2021 French survival thriller stars Mélanie Laurent (Inglourious Basterds) as a woman trapped in a claustrophobic pod with a dwindling supply of oxygen. Her performance combined with the evocative score and requisite twists tethered me to her dire quandary for every one of its 101 minutes.
Oxygen builds tension gleaming from the off. Our protagonist, wrapped in strange material when lying on her back, gains consciousness. It's dark, and a blinking red savory illuminates her struggle to break through her creepy additional skin. She emerges gasping for air.
Soon, the audience knows a few more things nearby this blue-eye, blonde-haired woman. She's locked in a cryogenic pod and will eventually be unable to breathe. She's also lacking virtually any helpful memory about who she is and how she over up there.
Talking her through her terrible circumstance is an AI named MILO (for "Medical Interface Liaison Operator"), which gives off frustrating vibes akin to an automated named menu. MILO is stubborn about how Laurent's character phrases questions, but it does assist her in some ways. With the help/non-help of MILO, she desperately seeks a way out of her tight spot.
Well, that doesn't look too good.
NetflixMore perceptive viewers may feel differently, but I began the film as flabbergasted as Laurent's portray about what could have landed her in that pod. The answers come in the form of huge twists.
The mystery keeps viewers invested, as does the immense sci-fi score and urgent pace.
Then there's Laurent's portray. A movie entirely about a woman stuck in a futuristic box consumes to have a pretty compelling woman in that box. I felt her fright, desperation and anger as she contended with the probability of a depraved death and other incredibly unfair aspects of her predicament.
MILO is full of necessary information.. getting them out of it is the tough part.
NetflixThere are a pair of things I didn't love about this film. For instance, Laurent's trapped character makes no attempt whatsoever to calm down and conserve her life aid (which is, of course, easy for this viewer sitting in a comfy chair to be annoyed about).
Throughout the film, Laurent's portray sees fragments of memories that don't seem to help her much beyond one improper close to the very end. And that scene is unceremonious -- she consumes to find something in the present and suddenly just remembers it from the past.
But those productions didn't dampen my viewing experience too much. In all, Oxygen did the one drawing I always want a flick to do: It gripped me from the protagonist's qualified strained breath all the way through to the end. I'd strap back in and survey it all over again.
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